Finding Time and Losing Weight

In my most recent post I shared an idea for a method of staying on track. I'm happy to say it worked.
In the past eight days I have lost 2.4 pounds, found the top of my desk and made a LOT of progress on my children's book. I also made all four of the Mousekin birthday cards that I hope to be selling on MousekinMarket.com by September, so all four of my goals were met.     
                                   

One of the 4 new cards

                            
                    Here are the steps to take:

• Set small, achievable goals for each day
• Write goals down
• Post where you will see it multiple times each day
• Check off each goal each day as you complete it
• If possible, have a friend or family member share the news

This worked like a charm. I think I will make a habit of this.

The hour (or more) I spent each day at my desk in my studio was very productive. I did reading about writing children's picture books. I read several children's picture books. I made some major revisions on my text and have revised my thumbnails for the book three times.

New Insights:

1.  Decide what question your book answers.
2. Check to see that it is answered in what you have written.
3. Focus on that one small question.
4. Consider two levels: The child and the adult who is reading.
5. Keep reading new books, as tastes, formats and interests of both readers and publishers change over time.

Baby Raccoon and Mousekin

After I did this, I remembered a piece of advice from a speaker at an SCBWI workshop I attended several years ago. The suggestion was to draw a map of the space where your story takes place.  When I did this, I realized that by using the map, I could clarify the flow of action in the book. I changed a lot of things and switched one creature for another as I visualized the yard in which my characters are interacting. I also did some research on various animal species that appear in my story and, as a result, switched the order of baby birds and crows, and then dumped the baby birds and added baby raccoons instead. I think the fuzzy baby raccoons will be more attractive to young listeners than the  baby birds in pinfeathers.

I have accepted that several pieces of my original text will not appear in this book, but I comfort myself with the knowledge that they may reappear in another story in the future. I have definitely graduated to letting go, which makes revisions far easier and less painful. I've even accepted that the title will probably change and that the cool back-matter pages will have to become part of a website to support the book and its readers in the future.

For me, this was BIG progress in a short period. I now feel that I will really get back to work on the book. Now it's time to set the next set of goals and see how far I can go in the month of August  toward meeting big goals like:

• Print, package and market a set of Mousekin Birthday Cards by the end of September.
• Acquire a table at the Hollyberry Fair in November to sell Mousekin cards, puzzles and prints.
• Search for an agent and/or identify publishing companies that are currently accepting proposals from unrepresented author/illustrators.

Small steps can lead to big strides. We'll see how August flows. I'd LOVE to hear from you about whether any of this advice is helpful to you.

Cheerio,
Momma Mousekin

When is the Write Time?

May to July... Where did the time go? I have no self control about somethings, but am very disciplined about others. After all, I DID draw 366 mice (one for each day) in 2017. There have been years when I have done my Lenten Projects for 40 days and reached my goals. You can see the results of these productions at Pi-SunyerNaturally.com. So I don't feel incompetent or like a failure.

Since I last posted in May I did research and write the Centennial Journal for Camp Glen Gray. It turned out quite wonderfully, and I can't thank my friend Paul Holland enough for doing the production work on it. Everyone seems to love it, and I learned a lot working on the project. Our event in June, celebrating the 100th year of a former Boy Scout Camp my dad, uncles, brother and husband all attended, was a great success. That kept me busy too, setting up displays, writing press releases and such.

BUT this morning while doing my cardio exercise (fast walking with weights to tunes on my ipod nanno) I did a lot of thinking about how I can get myself to apply the same discipline to snacking, writing, drawing and clearing clutter. SIGH!! I guess it's a one day at a time scenario, just like drawing mice. The problem may be that with the previous projects I had something to show at the end of each day. NOT snacking, isn't visible. "Oh yes it is," says you. "You can track your weight." Well, I can tell you that there is no direct correlation there, as there are so many other factors that affect weight (meal size, saltiness of food, exercise duration and level, etc).

I just found a website that deals with "Staying on Track." There are six suggestions there and every one seems to have an application to my situation. #1 is to Focus on Fewer Things. The examples are - amusingly - starting a new business, writing a book, losing weight and redecorating the house. I"m trying to do three of those four things, and if you switch "barn" for "house" it's four for four! Wowsers!!! Someone is stealing my brain waves!  So I guess I need to prioritize and do #2, which is "Plan Ahead."

Looking at my calendar, I have nine days before there will be a chunk of days when I can't do anything on my lists due to other commitments. SO if I plan ahead and do #3 Set Milestones, I can accomplish a bit on several of my goals in that period and maybe even begin to do # 4: Build Good Habits.

 #1 - Focus on Fewer Goals: I have had this lovely window put in the barn to replace a broken window. The barn was painted last week and today the carpenter came to take out the windows for repair. I think the barn is off my list for the time being. Leaving my business, losing weight and writing.

Yesterday I drew one Mousekin picture for a set of birthday cards I want to have for sale on Mousekin Market.com later this year. If I do three more in the next 9 days I can feel good, but not stressed. For snacking/weight loss goal I just had  brilliant (I hope) idea. My usual dessert is two scoops of ice-cream. If I don't snack, I will allow my self this treat for the next 9 days. If I snack, it is fruit only for dessert. Starting right now!!  As for writing, I will find my dummy, clear my desk and spend at least one hour working at my desk for the next 9 days.

I now have some milestones and will, hopefully, be developing some good habits, by working toward these milestones.  Here is the chart that will go on my fridge. I'll be back to the blog next week to give you a report. I've already checked off two items for today. Now I'm going for another walk! Wish me luck AND try making a chart for yourself. In 9 days, or even 7, you can probably make a difference in how productive you are! Good Luck!!

Quick update: 4 days in. I've hit 3 of my targets every day. The 4th, working on the book, I made some very good progress on, though I didn't get to it every day. I'm also down .6 of a pound. While I didn't finish the 2nd Mousekin card on the day it was scheduled, I think I can still make the overall goal. And I've done a lot of other productive things too. So I DO recommend  that you try making a chart like mine. Good luck and let me know how you are doing.

See next post for final results. It worked!!

Blogging When Life Gets In The Way of Your Plans

The fact that I had to spend half an hour to regain entry to this blog is proof that it's been WAY too long since I blogged. Last night while volunteering at the Montclair Film Festival I was discussing my book and art work with another volunteer and her husband. It was the frustration of feeling that I have a really good product, but can't seem to get the word out. She reminded me that I need to gather a blog following to have publishers take me seriously. So today when I checked into my blog, I was appalled to realize it has been 10 months since I made an entry.

Life tends to get in the way of plans...

Since I last blogged the following things have happened:

• I've completed the remaining 162 (+) drawings of Moueskin
• I took an 11,120 mile Great American Road around the U.S. with my husband 
• We spent five days on the Navajo Reservation near Winslow, AZ delivering food and gifts to the Navajo elders with Adopt-A-Native-Elder
• I've created a journal with drawings of our 52-day road trip
• I've worked for about 2 weeks in the Admissions office at my old school earning extra money 
• I've created three picture puzzles from Mousekin drawings
• I've created three sets of notecards based on my Mousekin drawings (and sold quite a few sets)
• I've  set up an on-line store (MousekinMarket.com) to sell my puzzles & notecards
• I've made good progress in funding and producing a Centennial Journal for Camp Glen Gray and helping to plan the weekend-long event
• I've gotten about 2,000 children's drawings of their favorite movies contributed from school children and posted around town for the Montclair Film Festival
• I've had open-heart surgery and done 19 cardio-rehab sessions
• I've made a poster and walked in The People's Climate March in Washington, D.C.

Not to mention the things we all need to do like cooking meals, organizing papers for taxes, weeding gardens, preparing for Christmas, volunteering at the library, doing laundry and reading WAY too many mysteries.

SO, my drawing skills have improved significantly, but my publishing skills have been rusting. My discussion at the Film Festival has reminded me of the need to focus. SO here I am back on line to share the continuing story of On The Laundry Lawn, my embryonic children's book.

Although I have a lot of commitments in the next two months, I will blog each week, and I will get back to an organized writing/drawing schedule and space. How?

1. Watch Less TV
2. Spend less time reading and more time writing
3. Organize STUFF so I don't waste so much time looking for things
4. Start some serious de-cluttering

If you want to encourage me, please post a comment. I will be looking for responses. I didn't meet all my goals for last year, but I DID draw my 366 mice and a few extra as well. If you want to see them  you can find the 366 at Pi-SunyerNaturlly.com under "The Mouse Project" and the 2017 mice at BackyardNaturally.net under "Mousekin and Friends". 

Have to run. Duty calls. See you next week! 

Ten Things I Know I Need to do for a Successful Revision: Illustrating is More Fun Than Writing

The year is more than half gone and I have succeeded in producing a mouse illustration for each of the 204 days to date. I am encouraged that picture number 200 has garnered more  "Likes" in FaceBook than any picture so far.

"Mousekin Reunion - 200 Mice" took pretty much an entire day to complete, but it was fun. It is quite a different style than most of my drawings. I was amused when I finished to discover that I had included 206 mice, so I had to eliminate six of them. But I am very happy with how it turned out. SO happy that I have ordered a picture puzzle of it. If I like the puzzle, I will be selling it on my "MousekinMarket" on Zazzle.com

Maintaining the commitment to produce a mouse illustration every day has been difficult at times, but the joys of social networking provided constant feedback and encouragement, so I have been able to keep it up. Friends and family have "Liked", "Loved" and commented on every picture I've posted. Beaucoup thanks to all who watch for Mousekin every day. This really helps me to keep energized, though I admit that some days (or evenings) the inspiration is hard to gather to make it happen.  Discovering that a number of my drawings are now turning up on Google Searches for mice  or Mousekin, is encouraging too.

Perhaps that is why the writing seems more difficult. Distractions abound in everyone's lives, I am sure. But getting the energy so sit down and rewrite something that you've already written and rewritten dozens of times, something you've loved, is really the pits! I know the rewrites are needed to improve the book, but so many people loved it in the original form that it's hard to get motivated to revise.

Here are Ten Things I Know I Need to do for a Successful Revision:

1. Make time (Schedule it in writing on a calendar) to work regularly.
2. Work at my desk in my studio, not in the living room where distractions are legion.
3. Make a new storyboard with sketches and text on post-its for easy rearrangement.
4. Research wildlife species to find local species that can reasonably provide the numbers required for the counting book at the right time of year (late summer). [I included plants to count in the original version, but I think having it all animals to count will be more engaging.]
5. Get to know (more fully develop) Mama Mouse - now my main character. Have her guide the story where it needs to go.
6. Use Cheryl Klein's idea of writing a letter to a friend about the story, what it's about, what the story is, what I want the book to do, what I love about it and what I think needs work. Then actually share the letter with two or more sympathetic friends.
7. Map the backyard and mark where the action is happening. Accept that some things may need to be fudged, but try to make the story fit the scene.
8. Create a better hook for the first page.
9. Become more conscious of page turns and consider how Mousekin can improve them.
10. Keep reading about revising, but also keep writing revisions.

I'm going to work on #4 right now and see if that gets me off my duff and into the mood.  I'd like to join Mousekin for a strawberry daiquiri, but I think I'd better stick to iced tea for a bit. The day will be more productive that way, I'm sure.

 

On Revising Picture Books, Second Sight, and Drawing Mice

I am almost a month into the 2016 revision process on my children's book. Although I have been called in to help out at my old school, I am still making time to work on the book. I am finding a great deal of very useful information in Second Sight: An Editor's Talks on Writing, Revising & Publishing Books for Children and Young Adults by Cheryl B. Klein. My copy of this treasure is now sprouting dozens of post-its, marking  important points to consider. I have made quite a few changes already, and am certain many more will follow.

Ms. Klein has pulled together a number of talks that she presented at conferences around the country and has added some of her blog posts, worksheets and other helpful tips and tools. If you are working on a book for children, I strongly recommend this book as an incredibly useful reference. I couldn't find it at my local independent bookstore, so had to order it on line, but you can find it at Amazon.com. It is well worth the price.

The Mouse Project is progressing well. I have drawn, painted or collaged a mouse every day. It appears that folks love the mice which I am posting on my personal Facebook page. You can see them on my website Pi-SunyerNaturally.com. Use the navigation bar and got to "Projects" and you can click on "The Mouse Project" to see images that have been posted so far. This week, each mouse is rendered in the style of a different famous artist, so you can see a Princess Mouse after the style of Velazquez, a VanGogh Mousekin and tonight I will add a mouse in the style of Gaudi.

Many of my Facebook friends are making suggestions. It has occurred to me that 366 mice (this is a leap year) is a LOT of mice. Any suggestions for topics are welcome. Please remember that all my mice drawings are copyrighted, but if you want to use one, please contact me for permission and fees, if appropriate. I am generous about sharing, but it would be nice to earn a bit, considering the hours I put in on each creation.

Working on this project is forcing me to push myself into new mediums and styles. I am enjoying branching out, as well as learning a bit of what I should have learned in Art History class about each of the artists whose styles I am borrowing. I can now really see the influences Picasso and Matisse had on one another. They were great friends and shared much during their most creative years.

 While I want my illustrations to be charming, I also want the intentionally realistic ones to be scientifically accurate. This point was brought home to me when I picked up a new
 children's book at Watchung Booksellers the other day. One of the staff recommended it. I will pass on naming it, because I am loath to criticize a fellow author. The drawings are charming and the story is kind of sweet, but it is BAD science. The premise of the book is scientifically impossible. Unfortunately, young readers and (possibly) their parents will not know this. I will take this lesson to heart and work to be sure that in my book things happen as nature decrees. While there will be tidbits of anthropomorphism, animals and plants will be doing things that real animals and plants do, and not behaving in unnatural ways.

This is not to say that I don't enjoy fun books like If You Give  Pig A Pancake by Laura Numeroff, or de Brunhoff's Babar stories and Beverly Cleary's Mouse and the Motorcycle. But unless your story is clearly make believe, it should be scientifically accurate. The mallards in Make Way for Ducklings and the dog in Because of Winn-Dixie act like real ducks and real dogs. This makes the books so much richer. You know that the authors and illustrators really studied these species to get it right. That is what I aspire to. If it's supposed to be real, it must follow the rules of nature. If the story is a fanciful fiction with fun as the desired outcome, than let the silliness, sweetness, exaggeration and exceptional behavior abound!

 

Witness, my "Cat-and-Mousekin" in the style of Picasso. Obviously created for fun, not as a science lesson! This is very different from my woodland mouse leaping among grapevines and over logs. 

So I'd better get to work on my next mouse and get back to Second Sight. Month number two and mouse number 31 are at hand. I'd love it if you would post a comment. I need to know I am not writing into a black hole. Thanks so much.

Setting Goals for 2016: Revising Text & Illustrations/The Mouse Project

The resolution to revise and get my book into the hands of an agent in 2016 is set. I'm committed to doing this. I have begun to revise the text in line with suggestions made at the SCBWI workshop I attended in October of 2014. I've done a lot of other thinking and have decided to include more animals and fewer plants in my story.

With this in mind, I am focusing on mice. Mice will be my page turners and will, hopefully, engage my young readers. So...I have set myself the goal of 365 mice this year: one drawing or painting or collage of a mouse every day.

Day one (January 1st) I drew a skeleton and also a mouse. Here is the skeleton from a photo on-line.  I think proportions were off, because the mouse I did from this skeleton looked really weird. I won't even post it it was so strange.


Day two, I think I did better. Here is my second fuzzy mousie.

He/she is much cuter than my mouse on steroids and the proportions are better. Front right leg is still probably too long. But a definite improvement.

Mouse #2 is followed by Mouse #3, which is kind of cute, but I think this one's right rear foot is too big. What do you think?

Now it's January 4th and Mouse # 4 (below) seems a good improvement. This exercise goes to show that if you keep drawing every day, your drawings will get better. I expect by February I can start doing some fun things with my little mice. I will have to train them to do my bidding, but I think they will help me with my book.

Tonight I began revision of the text and am now realizing I may have to scrap one of my favorite pieces of text and its accompanying illustration.

This whole revision thing is not fun, in that one needs to dump things one has struggled to create. Still, I hope that my pipevine trellis may be of use in another place, either in this book or in another.

Tomorrow I will continue work on the text, do another mouse and try to begin training the mice to follow directions.

I'll also go see the new Star Wars movie. Maybe I should try a robo-mouse sometime. So many possibilities.

I'd love to know what you think of my mice so far.

Jerry Pinkney: Inspiring Illustrator

Last night, Jerry Pinkney was the guest speaker at the 29th Babson Memorial Lecture at the Montclair Art Museum. I think I purchased my ticket the day I received the invitation! I first discovered Jerry Pinkney when I was doing a survey of Caldecott winning books, to try to find a "formula" for winners of this prestigeous award. Since that time, I have not only learned that there is no formula, since the judges change each year, but I've learned a lot about Mr. Pinkney as well.

A Philadelphia native, he began his artistic career at around the age of 13, giving away or selling (for 50 cents of so) sketches he made while selling newspapers on a street corner in Philly. Jerry considers his boss at the newsstand to be one of his early mentors. His mother was another mentor, inspiring him by reading Uncle Remus stories and Hans Christian Anderson's fairy tales to him. As early editions of neither of these books included many illustrations, he seems to have begun to create images to fit the stories in his own head. I remember being read Uncle Remus stories as well, since Jerry and I are only five years apart in age. Joel Chandler Harris's characters came alive through his words. Before Disney homogenized them and colored them with an airbrush, Bre'r Rabbit and Bre'r fox lived a rough and tumble, briar-scratched, tar-stuck life in the imaginations of generations of children like Jerry and me.

While the books usually had colorful covers, I remember mostly black and white line drawings within. Through the magical pencils and watercolors of Pinkney, the marvelous adventures of the sly fox and the trickster rabbit and their friends have gained new life and new color for present and future generations.    

We are fortunate that he has provided this same service for so many classics including many of those my father read to me: The Jungle Book, Rikki-Tikki-Tavi, The Ugly Duckling and The Grasshopper and the Mouse.  A visit to his studio website www.jerrypinkneystudio.com 
will provide you with a reading list for the next few years. Between classics, stories he has illustrated written by others, and stories he has collaborated on, you have over 100 books, fairy stories, Bible stories and novels to pick from. 

That day I was surveying Caldecott winners, I fell in love with The Lion and the Mouse. If you have a copy, or have read it, I wonder if you realized how totally unique this book is. Did you notice that neither the front nor the back cover have the title of the book or the author's name? The time has come that a Pinkney illustration speaks for it's creator, declaring his authorship loudly and clearly.  The lion on the front cover and the mouse on the back are sufficient to tell any literate human, no matter his or her native language, what treasure of a story lies between those covers.

Among the gems presented to the audience at the Babson Lecture were the following facts and quotes.

• 1 out of every 3 cowboys in the American West were people of color.
• His books are based on pure fun and he is less interested in the finished drawing than in the process, and what he learns DOING the drawing. 
•  In his work, the environment has a voice. His reference collection on science and nature is probably more comprehensive than many public library's.
• Chipmunks live a purposeful life. 
• His studio includes different stations for drawing, painting, researching, doing thumbnail sketches.
•  "Always ask the narrative what the story needs." The illustrator is the bridge between the reader and the narrative. He always asks himself "Why did they pick me to do this book?" This helps to inform him how to go to work on it.  
• Pinkney always wants to learn from each book he illustrates.

    
His advice for young people wanting to become illustrators? "Get a sketch book and draw every day!" He says, it's hard work, but it's worth it!

Pinkney's love of nature come out clearly through his work. Although raised in the city, in his youth he periodically spent time in a fairly rural area of New Jersey where a family member had a home adjacent to the woods. That was where he discovered that nature was a safe place for him to go, and that it gave him an opportunity for for personal safety and space, away from a crowded home in very urban Philadelphia.

Through Pinkney's art, I have no doubt that many children are finding that connection with nature which so richly fills the pages of every book he illustrates.

It is refreshing for this hopeful author/illustrator to know that Jerry has recently begun exploring new mediums and combinations, as I have begun exploring illustration. He recently "discovered" pastels and is busy experimenting and looking forward to finding out where this may lead his art.

Perhaps we can look forward to a story about the three chestnuts, with illustrations in pastels to reflect the glossy,  ox-blood treasures that are currently dropping all around us in the autumn landscape, encased in prickly treasure chests. His art can make them last forever. It's time for me now to give the horse-chestnut a try in my sketch book.  Here it is. What do you think?

My art, too is informed by nature. I hope you will visit me at Pi-SunyerNaturally.com, to see my work as well. I am currently working on a book cover for Flowers of the Holy Land: 50 Blessed Plants in Jesus Life. 

If you visit the current exhibit, "Eric Carle: Animals and Friends" at the Montclair Art Museum, be sure to check out the student illustration exhibit in the hallway on the ground floor. You will see three of my illustrations and many other wonderful products of the Yard School of Art class"Writing and Illustrating Books for Children," taught by Kristine Lombardy.

I hope you have enjoyed this brief reprise of last night's lecture and will leave a comment and explore the links you find here.

Happy illustrating!

Listen to the Pros - Going Back to Art School

Last week was back-to-school week for me. I was a bit nervous, but am now feeling pretty darn fine about making the decision. I was able to sign up for Beginning Illustration at Montclair State University. My classmates are all undergraduates and, I think, all are art majors. Following our first critique yesterday, I am feeling okay. The first assignment was a self portrait that told something about the artist. There was an abundance of anxiety attached to that assignment. I've never been great at drawing faces and was very nervous about doing this, not having a clue what anyone else was capable of.

My portrait illustrates me peeking into a new world of art and illustration. It includes books, drawing pencils and my slightly-off balance jackalope. The exercise was very useful in starting to get a handle on value. It helped me remember that composition is very important, and that I didn't pay enough attention to it the first time around, when I was an undergrad art major.

I am incredibly impressed by the technical skills of several of my classmates. Many of them have a firm grip on design which I hope to emulate. I am learning about value: light and darkness. It is amazing to me how changes in value can change a picture.

The next assignment was to draw an egg, from two different view points and on two different surfaces: one light, one dark. It's very challenging.  I've learned it's a good idea to take photos and turn them into black and white. I never realized before how different color is from value. I am learning a lot. Our professor, Scott Gordley, is giving us interesting assignments and providing useful feedback that helps us all to improve our work.

The egg project is very challenging, because we are responsible for making an interesting composition, as well as creating a technically precise likeness. Looking at eggs with strong lighting is interesting, as you end up with part of the egg being almost black.

I am learning many new ways of changing value. Spots and dots, lines and cross-hatching, shading and contrast. Still work to do on both pictures, but feeling pretty good about them.

While I am excited about what I am learning in my Illustration class, I'm spending a lot of time on other projects as well. Lots of family history things going on. Hopefully in the next month or two I can make time to get back to the writing part of my children's book.

I need to find an agent. If you know someone who works in the arena of children's picture books, please send me names. I'd prefer someone in the New York area if possible. Message me on LinkedIn or email me at npi-sunyer@verizon.net.

Looking forward to touching base with you again soon, but need to get back to my homework.

Revising Visions and Moving Forward at Last

Almost a year has passed since my last post here. During that time I have been busy, but not so much on the book. Friends and family keep asking "When is your book coming out?' or "How is the book coming?" My response has usually been, "I was totally squashed at a workshop in October when I was told I should take more art classes. I have not worked on it since."

Well, I was. That comment hit me harder than any of the rejection letters I had received to that point. Friends, family, librarians and teachers have all stated how much they LOVE my drawings. As each has been revised, I find it is even better. I still toy with the idea (suggested by many) of self-publishing and making the book the way I visualize it. But a sneaky voice in the back of my mind keeps niggling about the need for more art classes. Sigh! I started as an Art major in college, but switched my sophomore year. I've taken one class at a local museum and have watched a lot of tutorials on You Tube. But still...

This morning, after weeks of trying to contact professors at the local university Art Department, I have received permission to enroll in a Beginning Illustration class. I'm enrolling as a non-degree student through the OLA program at Montclair State University. This means, I will need to pay fees, but no tuition (as an Older Learner). The campus has changed so much since the last class I took there (in around 1970), it might as well be a foreign country. I have scoped out where my class will be, have found the Student Center and bookstore and the Office of Information Technology.  My computer is now hooked in to the university WiFi system and tomorrow morning I can officially register for class.

It's been a long time since I had a First Day of School on the other side of the desk.  I've looked through my sketch pads and found two new ones to start with.  My kneaded eraser is at the ready, as are my colored pencils and pens. I will pick up several pencils of varying hardness at the bookstore tomorrow, when I go up to register. It's been 50 years since I was an art student at a university. My professor for this class probably wasn't even born when I took Color and Design. I'm sure a lot has changed. But I am determined to go into this new adventure with a positive outlook: to learn all that I can. I expect to learn some new techniques and a lot about the design aspect of illustration. From the course description, it sounds as though I will likely be introduced to many illustrators I am unfamiliar with, although I have kept up pretty well with children's book illustrators.

So it's back to school, and back to work on the book. Time to get the studio upstairs cleared up and make room to draw, and maybe paint. If I can find an agent to work with me, maybe I can get the book back on track and get it to a publisher in 2016.

What are your thoughts on this new adventure?

Forward March: Reimagining My Book

Too many of my posts seem to focus on getting BACK to something on which I have lost momentum. It is time to move forward. No excuses of holiday madness. No moping over another rejection. Progress is my most important product for the rest of this year.

Two weeks ago I attended the SCBWI Craft Weekend at Princeton Theological Seminary. For anyone  who doesn't know, SCBWI is the Society for Children's Book Writers and Illustrators. This weekend was a wake-up call at several levels. First, it brought home to me how many people like me are out there trying to get books published. Most of the attendees are hopeful authors and/or illustrators. Most have not gotten a book published yet. Some have, and I now have heard enough stories to give me heart to continue the process. My fifth rejection arrived days before the conference, so my project is now back in my hands. 

I am beginning to listen to what editors, publishers and agents say more closely. While every friend, librarian, teacher and parent I have shown my dummy to thinks it is wonderful and can't wait to buy it, I now believe that some of the comments from those "in the business" have more validity than I once gave them. A full afternoon with Joyce Wan showed me a better way to create my dummy. Joyce, thank you! It is now all double-spreads and it is easier to put together and to illustrate.

The big break-though came in the all-day-Sunday workshop with Patrick Collins, Creative Director at Henry Holt. He reviewed each of the eight dummies or mock-ups presented by workshop participants, gave thoughtful feedback and suggestions to each, and then spent the remainder of the afternoon cycling among us with suggestions, critiques and encouragement.

Prior to the workshop, we had each submitted work for Patrick's comments and then tried to prepare some revised work in response to what he told us. My revisions involved, for the most part, cutting out whole pages that don't add to the action, and setting the opening scene. Following discussions with Patrick, more was cut, the scene has been set more clearly and another fun dimension has been added. 

Each change requires adjustment to art work, development of new page turns and adapting my original ideas of some parts of the story. I had picked up one good suggestion in a peer group critique session on Saturday evening. I  remind newbies to the peer group environment to consider from where comments come. I was astounded at the way one member of the group had interpreted part of my story. She saw drugs and sex where I had written bunnies and blossoms. WOW! The only thing I will say here is, consider your word choices carefully.

Now almost every page is a double spread. I have added two new dimensions to the art work, as well as  adjusting the viewpoint on several illustrations. My beetles will now be in the tree, rather than among the dandelions. I was also encouraged to take more art classes. This was something I did not want to hear but, I am exploring options in my community. I guess one can never learn too much.

So now it's time to focus forward on refining the two new dimensions (one is numerals on each page and the other is a secret suggested by Patrick, which I love). I need to find an art class and/or check out more YouTube videos on illustration. I also need to do some revision in the rhymes for setting the scene. By next week I hope to have made some real progress. I wil keep you posted.

Where Did The Summer Go? Getting Back to Books

It's been too long since I set fingers to keys on this blog. Sorry to have kept you waiting.  The fingers have been busy excavating weeds, following routes on maps, tracing family tree branches and searching on line for a wedding dress. I think two more days will complete the rehab of the driveway. I've been digging weeds from between paving stones with a steak knife and sweeping loc-tite sand in to every crack to prevent more weeds from becoming entrenched. This is the price I pay for taking the low bid on the paved driveway! But it looks like it's going to work. At least I have listened to Black Arrow, by Robert Louis Stevenson, My Antonia, by Willa Cather, The Mozart Conspiracy by Scott Mariani and a lot of my iPod tunes. It's kind of a Zen activity. Not liking to use chemicals in our yard, I seem to always find projects that require an inordinate amount of time as the trade-off for an almost chamical-free landscape.

New World Trade Center

We also spent five weeks hosting and traveling with a cousin from Mexico who visited with us to improve her English. We visited the Statue of Liberty, the Empire State Building, the 9/11 Memorial and the new World trade Center site. We sailed on Lake Champlain, walked The High Line in NY, shopped at L.L. Bean in Freeport, Maine and Zara in the Big Apple, and introduced the young lady to 46 of her other U.S. cousins in five different states. I was thrilled to discover that I have made a reader of her. Before visiting with us, she had only read required books for school. I introduced her to the YA section in our local library. She picked out a few books. She found two that she really enjoyed and these seem to have set her on the path to reading. That she read them in English makes the accomplishment even more exciting.

Over the summer, our young rabbit, the main character in my children's book, has grown from a tiny bunny to a near adult. It is becoming difficult to distinguish between the baby bunny and its parents. Family seems to have been a focus this summer.  I spent many hours expanding my family tree on
Ancestry.com. I added my future daughter-in-law's family back four generations and explored my own family roots in Germany. A great nephew will be spending his junior year abroad in Germany, and I wanted him to have the tree and the information about his Vonweisensee ancestors. Perhaps he can help me follow that trail further into the past.

As for the future... It is time to regroup and re-engage. I need to contact the current holder of my manuscript and then apply some of what I learned in the recent Webinar by Mira Reisberg from Childrens Book Academy and what I hope to learn from Jennifer Tzivia MacLeod in her new book, The Seven Day Manuscript Machine.

A comment from you will add to my motivation, so please leave me a note, even if it is only to say "You go girl!"  I must say, my heart was warmed by the recent sidebar exchanges during Mira's webinar where I discovered how many of us late bloomers are out here, working on our dreams. 

More soon. I promise!

Back to Blogging: Reconnecting With Passions

I just spent a week in Mexico visiting with some of my husband's family. It was a wonderful chance to distance myself from my (too) many projects and gain some perspective. One of the most delightful events was actually getting my hands on a copy of our cousin, Ana Gerhard's lovely book Listen to the Birds.

Ana Gerhard's Delightful Intro to Classic Music

Ana is a talented musician. She created this introduction to classical music for children with great thought, imagination and delightful creativity. I am personally not a huge fan of classical music, but this book brings back memories of some of the lovely experiences I have had with the classics, including "Peter and the Wolf" and "The Magic Flute." I am so pleased that Ana's second book is progressing well and that Listen to the Birds, has already been translated from the original Spanish into English and several other languages.

If you have children, this will be a delightful shared experience for you. The CD works beautifully with the text and illustrations bringing the classics right in to your home and hour heart. You can find it for sale on Amazon, and may be able to find it, or order it through your local book store. Here you can see an interview with Ana about her upcoming book, The Secret Mountain.  

http://www.thesecretmountain.com/AnInterviewWithAuthorAnaGerhard

We saw a lot of birds whilesitting in the gardens in Cuernavaca and Tepoztlan, including several that were new to me. The rufous-backed robin and golden-cheeked woodpecker were two newbies. I also saw a gorgeous old friend: the vermillion flycatcher, which I first encountered in the Galapagos, and a charming hummingbird I can't ID from my Mexican bird book.

Rufous-backed Robin in Cuernavaca, Mexico

The robin looks very like our American Robin, but has a rusty back, and the breast is not so orange. The hummer probably is way more iridescent, but the light doesn't show it. I sat for hours on the patios in the two yards, watching and taking pictures, chatting and listening to conversations in Spanish and Catalan. Our hosts were somewhat amazed that I was so interested in the birds, but once I showed them the Peterson's Field Guide to Mexican Birds, and they saw how many birds there are in Mexico, they too, began to take more interest.

This is a part of the point of the children's book I am trying to get published. All these natural treasures, birds, butterflies, bees, beetles, trees and flowers, surround us. My book will open eyes of readers so they can enjoy the same U are such a natural part of my life.

Unidentified Hummingbird in Cuernavaca

The text of my book is now with another publisher with whom I connected through a friend on LinkedIn. I didn't send the entire proposal, and now am thinking that perhaps I should have. I think tonight I will do the revision of the post card on Zazzle and when it comes, send it, along with the full proposal, to the publisher. This might get it to the top of her pile and I might hear one way or the other.

If the response is not positive, I will start sending out the postcards. I think I may begin to create the back yard garden website to go with the book, since that may prove to be another selling point. I'm told that telling publishers you will create a website, isn't as convincing as having one up. So here we go again. Into the fray!!!

Go out and enjoy your backyard for a bit now, before you spend any more time on line. Even if it's dark out!! Go listen for an owl and look for a shooting star. If you see one, wish for the right publisher to discover my book, please.

Reacting to Rejection: Questions to Myself

Roxie Munro and Me in 2013.

Though I believed I had targeted my next publisher SO accurately, another rejection letter arrived in the mail the other day. Of course I was depressed and down and felt a bit weepy. If you say you don't feel that way when you get a rejection, I'm not sure I believe you. To add insult to injury, the publisher enclosed a form rejection addressed to "Dear Author".  Couldn't they even reject me with a bit of class? No suggestions. No criticisms. No encouragement. No use. And really, no use obsessing over another lost two months. I'm so glad I did my Lenten Journey during the wait.

My husband is so wise. He just hugged me, kept quiet and bought me flowers the next day. I whipped out a feeling-sorry-for-me email to my mentor, posted my new status (REJECTED AGAIN) on FaceBook and went back to The Book, a valuable resource from SCBWI. The Society for Children's Book Writers and Illustrators has lists of publishers. Now I have checked off two. I spent some time searching the remainder of the list for my next target. Then checked on-line to find out if they are accepting unagented, unsolicited manuscripts. Most, of course, are not. But now I will work my network on LinkedIn and see if I can find some connections there.

Ready to stick my neck out again.

Questions to myself generated from reading other blogs and websites, email from my mentor, FaceBook responses from friends and serious personal reflection:

1. Was I foolish to send a dummy to the last company, even though they said they accept dummies?
2. Is there something wrong with my cover letter?
3. Does that fellow on line REALLY have the secret to the perfect cover letter and should I send him $37.95 to get it?
4. Should I join a critique group?
5. Can I afford to go to the 21st Century Non-Fiction Writer's Conference in June? (I found my mentor and a lot of positive reinforcement there last year).
6. Should I listen to people who suggest I self publish the book?
7. Should I do a multiple submission next time?
8. What might be wrong with my proposal, besides the cover letter?
9. Should I have included less art work, or more?
10. Do I have any talent, or is this all a waste of time?

Actually, number 10 didn't cross my mind. I KNOW the book is good. The text is engaging and everyone who has seen it (with the exception of the most recent rejector) thinks it ought to be published!

My answer to most of the other questions ranges from a firm "No!" to a soft "Maybe." I think I need to spend the next week or two reconnoitering on cover letters and considering who to share the book with, for new insights. I will check in to meetings of SCBWI for upcoming review sessions. I'm open to comments from readers about the concept of multiple submissions. I also plan to revise my postcard and start sending it to editors and publishers.

My Postcard to Be Revised

 I think sending the dummy was fine, but I probably need to revise it again. I know that the cover letter can be improved. Not sure how, but I will work on that. I don't think sending for the "perfect" letter is a useful step. I know that group critiques are not for me. I don't think I can afford the June conference, but maybe I can afford a local SCBWI conference. I know that self-publishing is my last ditch position. I know I need to talk to other authors about multiple submissions. It has taken 2 1/2 to 3 months for each of the last to submissions. At that rate it will be another year before I get the proposal to 4 more companies. More conversations or emails with published authors may give me some new insights regarding proposals and what to include.

There is plenty to work on, and plenty to learn. It's time to pick myself up, dust myself off and start submission over again. So, my friends, here I go again. Wish me luck, and send suggestions if you have them.

Happy spring.

Blog-Hop Into My Garden: Thanks for Coming

WELCOME TO MY GARDEN                    

Thanks for hopping in. Unlike many of you, I have not yet had a children’s book published. My blog is about the process of moving stories from my mind to a manuscript. I am a writer and illustrator, and I invite you to my garden of growth: growing my skills, growing my experience, growing my audience. 

 As you will see, if you check out my website (Pi-SunyerNaturally.com), my work is informed by nature. So on this blog hop I’m happy to share some gardening tips. They will be highlighted in red.

My yard is a registered Backyard Wildlife Habitat, through The National Wildlife Federation and is also certified as an official butterfly garden with the North American Butterfly Association. Both of these programs encourage me to provide for all the needs of wildlife: food, water shelter and nesting and breeding space. The yard is the setting for my first children’s book, which is currently being reviewed by a publisher.   Keep your fingers crossed for me, please. I'd love it if you would read some of my other posts and comment there.  My first rejection letter was awesome. You can read about it in one of my earlier posts. Those of you who are published, might have a fun flashback to that moment in YOUR career. 

If I were to win Publisher’s Clearing House Sweepstakes, the first thing I would do is hire a gardener. I would love to get the yard back to where it was when I was a child, growing up in it. In those days, my grandmother had a gardener several days each week. She had my parents, my siblings and me to help keep our acre trimmed, weeded and filled with flowers, fruit and vegetables, as well as specimens of many trees and flowering shrubs. During World War II our place was home to a blue ribbon Victory Garden. 'Wishing I could get it under control again. Three hours in the garden today, made a miniscule dent in what could be a full time job. 

 One of the best things I have done in the yard is to build stone walls. It is a fun, but strenuous activity, but very worthwhile. My stonewalls not only outline gardens and provide the country feeling in our suburban setting, but if you build stone walls - at least here in New Jersey - chipmunks will come. They are a delight to watch and their cheery chittering is a happy addition to the bird songs which abound here.

I have also created one area of the yard which is a specific butterfly garden, though the entire property provides good habitat for these colorful charmers. In the butterfly garden I  plant many perennials, such as butterfly bush, lilies, echinacea, and milkweed. These are inter-planted with colorful annuals which also attract hummingbirds. I also put in a shallow pan filled with pebbles and sand, that I keep watered, so there is always a shallow source of water for the butterflies. 

 All of these aspects of the garden are elements that are part of my book. The plants and animals are also part of another project of mine: Copy-cology©. You can find out more about my Copy-cology© products on my website, Pi-SunyerNaturally.com.   My favorite item is the

memory card game. This is my GIVE AWAY. I will be happy to send a set of the Memory Card game of your choice to five people who leave comments on my blog. I'll put all your names in a garden pot, and pull out five names. SO please be sure to leave your name and email address on your comment so I can contact winners for their mailing addresses and their choice of sets. 

 SO head on to the next blog on the hop. It's been nice having you for a visit.  Please come visit again and see how my journey toward a published book is going. I can use your encouragement!! Please "Like" me on FaceBook (Nancy Arny Pi-Sunyer) and think about following my Lenten Journey (LentenJourney2014.com).

                    

                        Now it's time to hop on to another website. Have fun.
 

1.	Dianne Venetta ~ Cozy Mystery/Romance (US)	37.	Stacey Joy Netzel
2.	Rose Anderson	38.	Deb Sanders
3.	Alexa Grace	39.	Janette Harjo
4.	Katharina Gerlach, YA Fantasy author	40.	Lorraine Paton (INTL)
5.	Jennifer Lowery	41.	Amy Saunders, Chick-Lit Mysteries (US)
6.	Catheirne Chant (US)	42.	Jencey Gortney
7.	J.D. Faver ~ Bad Girls Need Love Too...(Intl)	43.	Sandra Cox
8.	Tara Manderino (Intl)	44.	Alisia Compton
9.	Judy Baker, Cowboys and Indian Romances	45.	Cate Dean
10.	Sharon Kleve	46.	Lisa Lickel
11.	Sara Walter Ellwood (US)	47.	Iyana Jenna
12.	Anna Patterson	48.	Jesse Kimmel-Freeman (INT)
13.	Karl Fields (Intl)	49.	Sheila Seabrook
14.	LENA HART	50.	Grace Peterson
15.	Janice Seagraves, author	51.	Nancy Pi-Sunyer
16.	Gemma Juliana	52.	Elena Williams
17.	Victoria Adams	53.	Scandalous Stories
18.	Daryl Devore	54.	L.A. Sartor
19.	Jeana E. Mann, New Adult Romance	55.	BloominThyme
20.	Not Neccesarily In That Order	56.	Margarita Matos (UF & Romance)
21.	Brenda Maxfield's Smart and Sassy Teen Reads (INT)	57.	Lisa Chalmers
22.	Elizabeth McKenna	58.	Diane Burton
23.	H. A. Somerled	59.	Rebecca J. Clark
24.	Susana Ellis	60.	Victoria Pinder
25.	Aileen Fish	61.	Zelda Benjamin
26.	Cheryl Bolen	62.	Liz Allen (US)
27.	Elizabeth Rose	63.	Stacy Juba's Characters at a Crossroads
28.	L. Alison Heller	64.	Jennifer Conner Romance Author
29.	Eleanor Moran	65.	I Am A Reader
30.	K C Maguire	66.	Darcy Flynn (US)
31.	Mindy Hardwick, Author	67.	Cassandra L Shaw
32.	Karen McCullough	68.	Janette Harjo
33.	Michelle Abbott	69.	Louisa Mack
34.	Mary Laudien	70.	Melanie Macek
35.	Aubrey Wynne	71.	Tiffany Schlarman
36.	Kimberly K. Comeau